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Education

  • University of North Carolina at Chapel Hill, NC MFA
  • California College of the Arts, Oakland, CA BFA

Gallery Affiliations

  • Pierogi, Brooklyn NY
  • Gregory Lind Gallery, San Francisco, CA

Grants and Awards

  • Jacob Lawrence Award, American Academy of Arts and Letters 2014
  • Purchase Prize, American Academy of Arts and Letters 2014
  • Joan Mitchell Grant for Painters and Sculptors 2012
  • The Rappaport Prize; Jerome Lyle Rappaport Charitable Foundation/DeCordova Museum, Lincoln, MA, 2005
  • Grant; E.D. Foundation, Kearny, NJ, 2005
  • Nominee, Louis Comfort Tiffany Foundation Grant, Painting 2003
  • Grant: Berkshire-Taconic Foundation, Stockbridge, MA 2002-2003
  • Hayden Junior Faculty Fellowship for Excellence in Teaching and Scholarship; Clark University, Worcester, MA, 2001-2002
  • Higgins School of the Humanities; Junior Faculty Fellowship, Clark University, Worcester, MA
  • National Foundation for Advancement in the Arts; Visual Artists Resident Fellowship, Miami, FL, Three consecutive years: July-October 1994-96
  • NEA/Southern Arts Federation; Regional Fellowship in Painting, Spring 1992
  • North Carolina Emerging Artists Grant; Durham Arts Council, Winter 1991
  • Smith Fund Grant; University of North Carolina, Chapel Hill, Spring 1990

Fellowships and Residencies

  • Artist in Residency; Lademoen Kunstnerverksteder, Trondheim, Norway 2013
  • Visiting Artist-In-Residence, Vermont Studio Center, Johnson, VT, Summer, 2006, 2007, 2008, 2010, 2012, 2015
  • Fellowship; Fountainhead Residency Program, Miami, FL, July 2012
  • Visiting Artist/Scholar Program, American Academy in Rome, Italy, Summer 2010
  • Artist-In-Residence; Leighton Artist Colony, Banff Centre for the Arts, Banff, Canada, regretfully declined
  • Fellowship; Ucross Foundation, Clearmont, WY, 2005
  • Artist-In-Residence; Leighton Artist Colony, Banff Centre for the Arts, Banff, Canada, 2004
  • Residency; Visiting Artist/Scholar Program, American Academy in Rome, Italy, Summer 2003
  • Fellowship; Bemis Center for Contemprary Arts, Omaha, Nebraska, 2002-03 regretfully declined
  • Artist-In-Residence; Virginia Center for Creative Arts, Sweet Briar, VA, Summer 2002
  • Fellowship; The MacDowell Colony, Petersborough, NH, Summer 2001
  • Fellowship; Contemporary Arts Center, North Adams, MA, Summer 2000
  • Artist-In-Residence; Banff Center for the Arts, Banff, Alberta, Canada, October-November 1999
  • Artist-In-Residence; Byrdcliffe Arts Colony, Woodstock, NY, September 1999
  • Visiting Artist in Residence; Clark University, Worcester, MA, 1994-1995

Solo Exhibitions

  • 2016
    • Space Machines, Pierogi, New York, NY
    • Sprites and Jets, BOE Brooklyn Oenology, Brooklyn, NY
  • 2014
    • Partially Seen Things, Alcott Gallery, University of North Carolina, Chapel Hill, NC
  • 2013
    • Planet X, Pierogi, Brooklyn, NY
    • Drift, Artifact, New York, NY
    • Intersections, Babel, Trondheim, Norway
  • 2012
    • Eyefinger, Gregory Lind Gallery, San Francisco, CA
  • 2010
    • Edge of Everywhere, Pierogi, Brooklyn, NY
  • 2009
    • Continua, Higgins School of the Humanities, Clark University, Worcester, MA
  • 2008
    • Beacons, Floaters and Lost Objects, Gregory Lind Gallery, San Francisco, CA
  • 2007
    • Collidescape, Pierogi, Brooklyn, NY
  • 2006
    • Sarah Walker, Paintings, Rose Art Museum, Waltham, MA
    • Archipelago, Pierogi, Brooklyn, NY
    • Sarah Walker: Small Paintings, Bernard Toale Gallery, Boston, MA
  • 2005
    • Systems of Capture, Gregory Lind Gallery, San Francisco, CA
  • 2002
    • Maximum Information Density, Gregory Lind Gallery, San Francisco, CA
  • 2001
    • Descending Order: New Work by Sarah Walker, Lillian Immig Gallery at Emmanuel College, Boston, MA
  • 2000
    • Intertwined/Ever-Collapsing, Hampden Gallery, University of Massachusetts, Amherst, MA
    • A Portrait of North Adams in Doodles: site-specific installation, D-town North Adams, MA
  • 1998
    • Sarah Walker: Monumental and Intimate Paintings, Fletcher/Priest Gallery, Worcester, MA
  • 1997
    • Sarah Walker: New Work, University Gallery, Clark University, Worcester, MA
  • 1995
    • Sarah Walker: New Work, Christal DeHaan Fine Arts Center, Indianapolis University, IN
  • 1993
    • Sarah Walker: Recent Paintings, Bowman Gallery at Allegheny College, Meadville, PA

Group Exhibitions

  • 2016 
    • Blue, Black and Orange, Phil/Sue Knoll, curators, Geoffrey Young Gallery, Great Barrington, MA
    • Rage for Art (Once Again), Pierogi, New York, NY
    • Overgrowth, Decordova Museum, Lincoln, MA
  • 2015
    • Tomboy, Odetta Gallery, Bushwick, NY
    • The Transportation Business, Gregory Volk, curator, Jane Lombard Gallery, NY, NY
    • Polysolaris, Phil and Sue Knoll, curators, Geoffrey Young Gallery, Great Barrington, MA
    • Prime Matter, Techningsmuseet, Laholm, Sweden
    • Earth Dreams, Alyssa Fanning, curator, Smokin’ Eagle Studios, Brooklyn, NY

 

 

  • 2014
    • Invitational, American Academy of Arts and Letters, NY, NY
    • Exhibition of Works by Newly Elected Members and Recipients of Honors and Awards, American
    • Academy of Arts and Letters, NY, NY
    • Summer Invitational, Elizabeth Harris Gallery, NY, NY
    • Pierogi XX: Twentieth Anniversary Exhibition, Pierogi, Brooklyn, NY
    • Brooklyn Gravity Racers, The Boiler, Brooklyn, NY
    • Paper Reveries, Kathleen Kucka, Curator, Shirley Fiterman Art Center, NY, NY
    • Prime Matter, Zoe and Christian Schade, Curators, Senasapce, NY, NY
    • Diagonal Triangle, Chris Joy, Curator, Artist House Party Presents, NY, NY
    • Transportation Company, Curator: Gregory Volk, Select 2014 Washington Project for the Arts
    • The Artist As Cartographer: Maps and the Journeys that Made Them, James Scarborough, Curator,
    • Torrance Art Museum, online exhibition, May-June, Torrance, CA
  • 2013
    • Approaching Infinity, The Richard N. Green Collection of Contemporary Abstraction, Crocker Art Museum, Sacramento, CA (catalogue)
    • Unpredictable Patterns of Behavior, Art Center/South Florida, Miami FL
    • Unhinged, Pierogi, Brooklyn, NY
  • 2012
    • Decade, Celebrating 10 Years, Gregory Lind Gallery, San Francisco, CA
    • Five By Five, DC Moore Gallery, New York, NY
    • Size Matters: Small works from the Fine Art Collection, New Jersey State Museum, Trenton, NJ
  • 2011
    • Subjective or Objective, Pierogi, Brookyn, NY
    • Celebrated Artists, Students of Marvin Saltzman, Mahler Fine Art, Raleigh, NC
    • Melini, Perterson, Walker, McKenzie Fine Art, NY, NY
    • Ucross Fellows Retrrospective Exhibition, Ucross Foundation Art Gallery, Ucross, Wyoming
    • Extravagant Drawing, Dorsky Gallery Curatorial Projects, Long Island City, NY
  • 2010
    • Art On Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC
    • I Am The Cosmos, New Jersey State Museum, Trenton, NJ
    • Ucross: 27 Years of Visual Arts Residencies, Invitational Exhibition, Nicolaysen Art Museum, Caspar, WY
    • The 185th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY
    • Eye World, Triple Candie, New York, NY
    • The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA
  • 2009
    • Ceam, No Sugar, Pierogi Brooklyn, NY
    • Femme Fatale, Holly Johnson Gallery, Dallas, TX
  • 2008
    • Midnight Full of Stars, Visual Arts Center of New Jersey, Summit, NJ
    • Future Tense: Reshaping the Landscape, Neuberger Museum, Purchase, NY
    • Horror Vacuii, McKenzie Fine Art, NY, NY
    • Pierogi et al’ Daniel Weinberg Gallery, Los Angeles, CA
    • The Discerning Eye of Rose Marie Frick, Aucocisco Gallery, Portland, ME
  • 2007
    • Graphic Havoc, Firehouse Gallery, Burlington, VT
    • Big Bang: Abstract Painting for the 21st Century, DeCordova Museum, Lincoln, MA
    • Unknown Quantity, Gregory Lind Gallery, San Francisco, CA
    • Flatfiling, Artnews Projects, Berlin, Germany
    • Systems and Transmutations, Root Division, San Francisco, CA
  • 2006
    • Personal Geographies: Contemporary Artists Make Maps, Hunter College/TimesSquare Gallery, New York, NY
    • Subverting the Status Quo, Axis Gallery, Sacramento, CA
    • Hunters and Gatherers: The Art of Collecting, The Shore Institute of Contyemporary Arts, Long Branch, NJ
    • Post-Conventional Generativity: 35 Years at VCCA, Riverviews Art Space, Lynchburg, VA
    • Worlds Without End, Valerie McKenzie Gallery, NY, NY
    • Paramnesiac Landscapes, NewYork Center for Arts and Media Studies, NYC
    • New American Paintings: Northeast Edition, Open Studios Press, Boston MA
  • 2005
    • American Obsessive Drawing, Volcker & Freunde, Berlin, Germany
    • Op-ish, Samson Projects, Boston, MA
    • Group Show, Digitas, Boston, MA
    • Ghosts in the Machine, Evos Arts, Lowell, MA
    • Brave New Worlds: Our Biological and Technological Universes, Dorsky Gallery, Long Island City, NY
  • 2004
    • Vacation Nation, Pierogi Gallery, Brooklyn, NY
    • Eye Candy, TransAmerica Gallery, San Francisco, CA
    • Inverted World, Artspace, New Haven, CT
    • Artist of the Week, Pierogi Gallery, Brooklyn, NY
    • 179th Annual Invitational, The National Academy of Design, NY, NY
    • The 18th Drawing Show, The Mills Gallery at the Boston Center for the Arts, MA
    • Alumni Exhibition, Allcott Gallery, University of North Carolina, Chapel Hill, NC
  • 2003
    • Sarah Walker and Dixie Friend Gay, Poisson-O’Neal Gallery, Houston, TX
    • Deep Listening. Gallery of Modern Art, Marblehead. MA
    • Emergence: Women Artists in the New Millenium, Northern Indiana Arts Association, Munster, IN
    • Closer Than You Think, Gregory Lind Gallery, San Francisco, CA
    • Metastasize, Bronx River Art Center, Bronx, NY
    • Summer of Lust, Geoffrey Young Gallery, Great Barrington, MA
    • Community of Artists, Dupree Gallery, Philadelphia, PA
    • Per Annum, Gregory Lind Gallery, San Francisco, CA
  • 2002
    • New Files, New Territories, Gregory Lind Gallery, San Francisco, CA
    • Pure Color, Gallery of Modern Art, Marblehead, MA
    • DeCordova Invitational Benefit and Auction, DeCordova Museum, Lincoln, MA
    • Artcetera Invitational Auction for AIDS Advocacy, Boston, MA
    • Mad Dash, Green Street Gallery, Jamaica Plain, MA
  • 2001
    • DeCordova Annual, DeCordova Museum, Lincoln, MA
    • Five American Painters, Sendmail Gallery, Munich, Germany
    • Matrix, Clark University Gallery, Worcester, MA
    • Sarah Walker and Laura Wilson, Alcott Gallery, University of North Carolina,Chapel Hill, NC
    • Anne La Prade, Mary Sherman, Sarah Walker, Tonje Gallery, Brewster, NY
    • Mad Dash, Green Street Gallery, Jamaica Plain, MA
    • Boston Drawing Project, Bernard Toale Gallery, Boston, MA
    • Boston Drawing Project, Inaugral Exhibition, Bernard Toale Gallery, Boston, MA
    • Group Show, Gallery of Modern Art, Marblehead, MA
  • 2000
    • Incantation, FPAC Gallery, Boston, MA
    • Rethinking Nature: Meditations, Explorations, Inventions, Gallery of Modern Art, Marblehead, MA
    • 2nd Annual Small Works Exhibition, Attleboro Museum, Attleboro, MA
    • What’s the Big Idea?, Contemporary Artists Center, North Adams, MA
    • New American Paintings, (in the form of a nationally distributed book), Open Studios Press, Boston, MA
    • New Art Y2K, Kingston Gallery, Boston, MA
    • Ten Contemporary Artists, Gallery of Modern Art, Marblehead, MA
    • Group Show, Fletcher/Priest Gallery, Worcester, MA
  • 1999
    • Millennial Group Show, The Creiger-Dane Gallery at Ambrosia, Boston, MA
    • Dot-Dash: Sarah Walker and Christine Vaillancourt, Creiger-Dane Gallery, Boston, MA
    • Momenta 99, Geelong Art Gallery, Greelong, Australia
    • New England Artists’ Trust Congress V, Creative Arts Workshop, New Haven, CT
    • Invitational Permanent Exhibition, The Ecoterrium, Worcester, MA
    • Abstraction Distraction, Fredericksburg Center for the Creative Arts, Fredericksburg, VA
    • 1000 and Under, Invitational Benefit Exhibition for AIDS, Fletcher/Priest Gallery, Worcester, MA
    • Group Show, Clark House Gallery, Bangor, ME
  • 1998
    • New England/New Talent, Biennial Show, Fitchburg Museum of Art, Fitchburg, MA
    • Sweet, FM Gallery, New York, NY
    • LaGrange National XIX Biennial Exhibition, Chattahoochee Valley Art Museum, LaGrange, GA
    • Sarah Walker and Jessica Straus, New England Bio Labs, Beverly, MA
    • Group Show, The Distillery Gallery, South Boston, MA
    • Group Show, Healthworks, Boston, MA
    • Group Show, Creiger-Dane Gallery at Office Environments, Boston, MA
  • 1997
    • The Dishman Competition, The Dishman Gallery at Lamar University, Beaumont, TX
    • Postcards From the Edge of the Millennium, group show, Kansas City Artists Coalition, Kansas City, MO
    • 12′ x 12″, Fletcher/Priest Gallery, Worcester, MA
    • Show of Hands, Texas Tech Health Science Center, Dept. of Orthopedics, Lubbock, TX
    • Miniature, Between The Muse Gallery, Rockport, ME
    • Summer Salon, Rose Marie Frick curates at the Robert Commings Gallery, Portland, ME
  • 1996
    • National Foundation for Advancement in the Arts, Career Advancement of Visual Artists Program,
    • Fellowship exhibition, Margulies Taplin Gallery, Coral Gables, FL
    • Miniature, Between the Muse Gallery, Rockland, ME
    • Artists Observe Nature, Fletcher/Priest Gallery, Worcester, MA
    • Horror Vacuii: The Fear of Open Space, Art Center of Battle Creek, MI
    • Inaugural Exhibition, Between the Muse Gallery, Rockland, ME
  • 1995
    • Four Women: Four Visions, Frick Gallery, Belfast, ME
    • The World’s Women On-Line, video/internet gallery installation, Computing Commons Gallery, Arizona State University, Tempe, AZ
    • United Nations Fourth World Conference on Women, Beijing, China (touring version)
    • Gaia, Clark University Gallery, Worcester, MA
    • Summer’s End, Frick Gallery, Belfast, ME
  • 1994
    • The Second Independents Biennial, Charas El Bohio, New York, NY
    • New Painting in the Triangle, Duke University Museum of Art, Durham, NC
    • Process, Center Gallery, Carrboro, NC
    • Thirty and Under, Young Painters, The Painting Center, New York, NY
  • 1993
    • “National Endowment for the Arts/Southern Arts Federation; 1992 Painting, Drawing and Works on Paper
    • Fellowship Exhibition,” Atlanta College of Art Gallery, Atlanta, GA
    • Sarah Walker, New Work, Logan Gallery, Chautauqua Institution, Chautauqua, NY
  • 1992
    • Life On Earth is Like the Bloom on a Plum, collaborative multi-media installation, Durham Art Guild, Durham, NC
    • Triangle Painting, Green Hill Center for North Carolina Art, Greensboro, NC
    • Rutgers National ’92 Works on Paper, Stedman Art Gallery, Rutgers University, Camden, NJ
    • Glaxo Annual Group Exhibition, Bide Building Gallery, Glaxo Inc., Research Triangle Park, NC
    • The Stagnant Layer, solo show, Center Gallery, Carrboro, NC

Bibliography

    • Mary Jones, Brainbow: Sarah Walker in Conversation with Mary Jones, Artcritical, September, http://www.artcritical.com/2016/09/25/mary-jones-with-sarah-walker/
  • 2015
    • Jillian Steinhauer, ArtRx, Hyperallergic, November
    • Allysa Fanning, Catalog Essay for Earth Dreams, Eagle Street Studios, Brooklyn, NY
    • Matt Hagg, Teckning I sin eigen ratt, Omkonst, Stockholm, Sweden, October
    • 2013
      • Irene Sperber, Unpredictable Patterns of Behavior Miamiartzine, Miami, FL Ju
    •  Anne Tschida, At South Florida’s original ArtCenter, a Fresh Approach, Miami Herald, June,
      • Heike Dempster, Unpredictable Patterns of Behavior, Tropicult, Miami, FL June
      • Dennis Kardon, Quantum Fields and Cellular Processes: Sarah Walker at Pierogi ArtCritical, April
      • Emily Colucci, Sarah Walker Finds Space in Abstraction, Societe Perrier, April 2013
      • Diana Daniels, Stepping Outside of Ourselves, catalogue essay for Approaching Infinity, Crocker Art Museum, Sacramento, CA
  • 2010 
    • Stephen Maine, Sarah Walker at Pierogi, Art in America, November 2010
    • Painting Show of the Week: Sarah Walker, Time Out New York, May, 2010
    • Sharon Butler, NYC Gallery Visit: Sarah Walker and Ken Weathersby, Huffington Post, June 17, 2010
  • 2009 
    • Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection Catalogue Raisonne’, Museum of Modern Art
  • 2008
    • Kenneth Baker, Walker Uses Abstraction to Characterize Complex Reality, San Francisco Chronicle, Saturday, September 6
    • Benjamin Genocchio, Today’s Landscapes, Tomorrow’s Dystopias, New York Times Westchester Edition, June 1
    • Dan Bischoff, Varied Visions of the Night Sky’s Brilliance, New Jersey Star-Ledger, April 19
    • Sara Lynn Henry, catalog essay, Midnight Full of Stars, Visual Arts Cneter of New Jersey, Summit, NJ
  • 2007 
    • Anne Galloway, The Ghost in the Machine, Times Argus, Vermont, July
    • Marc Awodey, Dotted Lines SevenDays, Vermont, July
    • Ken Johnson, Seeing a Pattern, Boston Globe, February 2
    • Nick Capasso, Big Bang, Catalog essay, DeCordova Museum and Sculpture Park, January
  • 2006 
    • Dinah Ryan/Paul Ryan, Post-Conventional Generativity, Art Papers, Nov/Dec, 2006
    • Joanna Lindenbaum, Personal Geographies: Artists Make Maps, catalog essay, Hunter College/Times Square Gallery, October 2006
    • Kate Farrington, Sarah Walker and the New Obsessionists, Art New England, August/September 2006
    • Cate McQuaid, With Paint Sarah Walker Depicts her Mind at Work, Sunday arts feature story, April 9, 2006 Boston Globe, March, 2006
    • Adrienne LaFrance, Addicted To Painting, WBUR Online Arts, 2006
    • Greg Cook, Students of Philosophy, Boston Phoenix, June, 2006
    • Cate McQuaid, Ten Artists to Watch, Boston Globe
    • Robin Reisenfeld, Paramnesiac Landscapes, catalog essay, New York Center for Art and Media Studies, March, 2006
    • Andreas Schalhorn, American Obsessive Drawing; Hybridization of Figure and Ornament, Catalog Essay
    • Alison Davis, Gallery Review, Beautiful Decay, issue N, 2006
  • 2005 
    • Leon Nigrosh, Congratulations Sarah Walker , The Pulse, October 2005
    • Louise Kennedy, Abstract Artist Wins Rappaport Prize, August 30, 2005 Boston Globe
    • Cate McQuaid, Gallery Pick, Boston Globe, July 21, 2005
    • Kenneth Baker, Painter’s Eye Ponders Science in Particles and Whorls”, San Francisco Chronicle, Saturday, April 8th, 2005
    • Mary Bucci McColl, Review, Art New England, May/June 2005
    • Kenneth Baker, Radial Gradient, Artnews, February, 2005
    • Andreas Schalhorn, American Obsessive Drawing, Catalog Essay, GalerieVolcker and Freunde, Berlin, Germany 2005
    • Sara Lynn Henry, Brave New Worlds; Imagining Our Biological and Technological Universes, Catalog Essay, Dorsky Gallery, Long Island City, NY
  • 2004 
    • Rachael Vaters-Carr, Inverted World, catalog essay, Artspace New Haven CT 2004
    • Judy Birke, Realities Shift in Internal, External, and Invented Worlds at Artspace, New Haven Register, 6/13 2004
    • Nathan Lewis, Inverted World at Untitled (Space), bigredandshiny.com , Summer 2004
  • 2002 
    • Laura Janku, New Files, New Territories at Gregory Lind Gallery, Artweek, October 2002
    • Alison Bing, Review, SF Gate, Oct 15, 2002
    • Judith Jaeger, Imagining the Mind, cover feature story, ClarkNews, Winter 2002
  • 2001 
    • Roger Boyce, DeCordova Annual Review, Art New England, Oct/Nov 2001
    • Cate McQuaid, Creative Juices Flow at the DeCordova Exhibit, The Boston Globe, June 30, 2001
    • Christopher Millis, Serious Play, Boston Phoenix, June 21, 2001
    • Nick Capasso, Catalog Essay, DeCordova Annual Exhibit, DeCordova Museum, Lincoln, MA
    • Joanne Silver, Time Connects Works in DeCordova Annual Exhibit, Boston Herald, June 15, 2001
    • Michael Kavanaugh, Painting the Plentitutde, the Modern World of Sarah Walker, Worcester Magazine, June 27-July 3, 2001
    • Cate McQuaid, Mind Bender, Boston Globe, March 29, 2001
    • Mary Sherman,Walker Stirs Up Abstract Excitement, Boston Sunday Herald, March 25, 2001
    • David Wildman, Sarah Walker Explores Mind, Matter, Boston Globe, Sunday, March 4, 2001
    • Roger Boyce, Review, Art New England, April/May, 2001
    • Nick Capasso, Catalog Essay, Hampden Gallery, University of Massachusetts, Amherst, January 2001
    • Julie Burrell, Space Relatively Explored, The Collegian, February 2001
  • 2000 
    • Jamie Farrel, Art New England, October/November 2000
    • Paul Lieberman, Searching in a Small Town for Cultural Trickle-Down, Los Angeles Times, July 29, 2000
    • Cate McQuaid, Art’s the Big Idea in North Adams, Boston Globe, July 23, 2000
    • Diane Montz, Life’s a beach, and then some, North Adams Transcript, July 10, 2000
    • Charles Bonenti, Editorial, The Berkshire Eagle, July 16, 2000
    • Mark E. Rondeau, Visiting Artists Express their Impressions of North Adams, The Advocate, North Adams, MA, July 12, 2000
    • Mark E. Rondeau, What Happens when Artists Interact with a Berkshire City?, The Advocate, North Adams, July 12, 2000
    • Dale Kiefer, Website Essay, NextMonet.com 2000
  • 1999 
    • Cate McQuaid, Boston Globe, September 9, 1999
    • Cate McQuaid, Boston Globe, September 2, 1999
  • 1998 
    • Leon Nigrosh, Best of Worcester, Worcester Phoenix, December 1998
    • Allen Fletcher, Worcester Magazine, April 15, 1998
    • Frank Magiera, To The Max, cover story interview, Worcester Telegram and Gazette, March 29, 1998
  • 1997 
    • Christina Pappas, Worcester Magazine, February 19, 1997
    • Leon Nigrosh, Chaos Theory, The Worcester Phoenix, February 14, 1997
    • Jodi Kushins, Collecting Memories through Art, The Scarlet, January 30, 1997
  • 1996 
    • Katherine J. Hines, Exhibition Catalogue, NFAA Career Advancement of Visual Artists Fellowship, Margulies Taplan Gallery, 1996
    • Elisa Turner, Miami Herald, September, 1996
    • Judy Cantor, New Times, September 26, 1996
    • Mark Schwerin, Battle Creek Inquirer, March 15, 1996
    • Roger Green, Kalamazoo Gazette, April 14, 1996
  • 1995 
    • Shirley Jacks, Art New England, October/November, 1995
    • Ken Greenleaf, Maine Sunday Telegram, July 16, 1995
    • Haines Sprunt Tate, Belfast Shows Four Female Visions, Maine Times, July 28, 1995
  • 1993 
    • Kate Dobbs Arial, Forward on Faith, The Independent, October 4, 1993
  • 1992 
    • Lisa Richmond, Exhibition Catalogue, SAF/NEA Painting, Drawing and Works on Paper Fellowship, Atlanta College   of Art Gallery, 1992
    • Mary Pardo, Catalogue Essay, SAF/NEA Painting, Drawing and Works on Paper Fellowship, Atlanta College of Art Gallery, 1992
    • Karen Silver, The Philadelphia Inquirer, Feb. 6, 1992
    • Blue Greenberg. Art-scene cruise finds big-town quality, The Durham Herald-Sun, Oct. 8, 1992
    • Margaret Shearin. Physical Surfaces and Spiritual Depths, Style Magazine, Oct. 7, 1992
    • Tom Patterson. N.C. Power: Green Hill Show a Standout, Winston-Salem Journal, Oct. 4, 1992

Collections

  • Nasher Museum of Art at Duke University, Durham, NC
  • Museum of Modern Art: The Judith Rothschild Foundation Contemporary Drawings Collection
  • Milwaukee Art Museum
  • New Jersey State Museum, Trenton, NJ
  • Weatherspoon Art Museum
  • Decordova Museum and Sculpture Park
  • Neuberger Museum at SUNY Purchase, NY
  • Rappaport Foundation
  • Bank of America
  • Progressive Corporation
  • Glaxo

Lectures

  • 2015
    • Lecture and graduate critiques, MICA, Baltimore, MD
    • Lecture and critiques, Vermont Studio Center, Johnson, VT
  • 2014 
    • Lecture, University of North Carolina at Chapel Hill, NC
    • Adelphi University, Garden City, NY
    • Artist Lecture Series, Brooklyn, NY
  • 2013 
    • Lecture, College of New Rochelle, NY, 2013
    • Lecture and graduate critiques, Montclair State University, NJ 2012, 2013
    • Lecture, Lademoen Kunstnerverksteder, Trondheim, Norway, July 2013
    • Lecture, Sulafyr, Sula, Norway July 2013
  • 2012 
    • Lecture and critiques, Vermont Studio Center, December
    • Lecture and critiques, Montclair State University, Montclair, NJ, 2012
    • Lecture, Drew University, Madison, New Jersey, 2012
  • 2011 
    • Lecture, Williams College, Williamstown, MA, 2011
  • 2010 
    • Lecture, Purchase College, Purchase, NY, 2010
    • Lecture, Drew University, New Jersey, 2010
    • Lecture, University of Delaware, 2010
    • Lecture, Bard College, NY, 2010
    • Lecture, Vermont Studio Center, Johnson VT, August 2010
    • Gallery Talk with Curator Marshall Price, National Academy of Design Museum, New York, NY 2010
    • Lecture, Purchase college, Purchase, NY 2010
    • Lecture, Higgins School of the Humanities, Clark
  • 2009 
    • Lecture, National Academy of Design, New York, February 2009
  • 2008
    • Gallery Talk, Gregory Lind Gallery, Sar Francisco, September, 2008
    • Lecture, Vermont Studio Center, Johnson, VT July 2008
    • Lecture and Teacher Symposium Leader, Visual Arts Center of New Jersey, Summit, NJ 2008
    • Lecture, RISD, Providence, RI March 2008
  • 2007 
    • Lecture, Drew University, new Jersey, 2007
    • Lecture, Lehman College, of New York, NY, 2007
    • Lecture, Vermont Studio Center, Johnson, VT September 2007
    • Lecture, RISD, Providence, RI April 2007
    • Lecture, DeCordova Museum, Lincoln, MA March 2007
  • 2006 
    • Lecture, Vermont Studio Center, Johnson, VT October 2006
    • Lecture, RISD, Providence, MA 2006
    • Lecture, Boston University, Boston, MA 2006
    • Lecture, Rose Museum of Art, Brandeis University, Waltham, MA 2006
    • Panel Discussion, Creativity and the Arts, Rose Art Museum, Brandeis University, Waltham, MA 2006
  • 2005 
    • Lecture, Art Institute of Boston, Boston, MA 2005
    • Slide Talk, DeCordova Museum and Sculpture Park, Lincoln, MA 2005
    • Lecture, Drew University, New Jersey, 2005
    • Lecture, Higgins School of the Humanities, Clark University, Worcester, MA 2005
    • Studio Talk, Ucross Foundation, Clearmont, WY, 2005
    • Lecture, Rhode Island School of Design, Providence, RI, 2005
  • 2004 
    • Studio Talk, Banff Center for the Arts, Banff, Alberta, Canada, 2004
    • Slide lecture, Rhode Island School of Design, Providence, RI, 2004, 2005
  • 2003 
    • Studio Talk, American Academy in Rome, Italy, 2003
  • 2002 
    • Slide Lecture, Sweet Briar College, Sweet Briar, VA, 2002
    • Studio Talk, Virginia Center for the Creative Arts, Sweet Briar, Virginia, 2002
  • 2001 
    • Gallery Talk, The DeCordova Museum, Lincoln, MA, 2001
    • Panel Discussion, Physics, Painting and Matrix, Clark University, Worcester, MA, 2001
    • Studio Talk, The MacDowell Colony, Peterborough, NH, 2001
    • Gallery Talk, Emmanuel College, Boston, MA, 2001
    • Slide Talk, Hampden Gallery, University of Massachusetts, Amherst, 2001
  • 2000 
    • Slide Talk, Contemporary Artists Center, North Adams, MA, 2000
    • Slide Talk, Art A La Carte lecture series, Clark University, Worcester, MA, 2000
  • 1999 
    • Studio Talk, Banff Center for the Arts, Alberta, Canada, 1999
    • Open Studio, Byrdcliffe Artist Colony, Woodstock, NY, 1999
    • Slide Talk, Clark University, Worcester, MA, 1999
    • Lecture, Extravagance and Purity: Color in Contemporary Art, color symposium at Worcester State College, Worcester, MA, 1999
  • 1998 
    • Lecture, New England Bio Labs, Beverly, MA, 1998
    • Boston Open Studios, At The Distillery, South Boston, MA, 1998
    • Slide Talk, Rare Book Room, Clark University, Worcester, MA, 1998
    • Open Studio Presentation, In association with Terri Priest and The Worcester Art Museum, Worcester, MA, 1997, 1998
  • 1997 
    • Gallery Talk, Rare Book Room, Clark University, Worcester, MA, 1997
  • 1996 
    • Slide Talk, National Foundation for Advancement in the Arts, Miami, FL, 1996
    • Lecture, College of the Holy Cross, Worcester, MA, 1996
  • 1995 
    • Panel Discussion, Clark University Gallery, Worcester, MA, 1995
    • Lecture, Clark University, Worcester, MA, 1995
  • 1994 
    • Lecture, Clark University, Worcester, MA, 1994
  • 1993 
    • Gallery Talk, Atlanta College of Art, Atlanta, GA, 1993
    • Lecture, University of South Florida, Tampa, FL, 1993
  • 1992 
    • Gallery Talk, Green Hill Center for North Carolina Art, Greensboro, NC, 1992

Independent Curatorial Projects

  • 2004 Radial Gradient, group show: Roger Boyce, Marsha Cottrell, Glenn Goldberg, Leslie Hirst, Barbara Takenaga, Randy Wray, Daniel Zeller  Reveiwed: Artnews February 2005

Other Projects

  • Guest critic, Massachusetts College of Art, Boston, MA  2015
  • Prize Juror, Art Students League, NY, NY  2015
  • Cover artiwork, “Genetics in Medicine” September 2006, November 2006, April 2010, March 2011 and March 2014
  • Painters on Paintings, http://paintersonpaintings.wordpress.com/, Essay on Shiva Visvarupa from the Rubin Museum of Himalayan Art, 2014
  • Gorky’s Granddaughter, studio interview as part of an online studio interview archive 2013
  • Flat file: Pierogi, Brooklyn, NY 2004-present
  • Flat 46 lecture: Shape of Fear (emerging fear-oriented archetypal structures and narratives as found in Youtube videos) 2012
  • Flat 46 lecture: Levels of Squalor (The structure and meaning underpinning hoarding and collection and what differentiates the two) 2010
  • Mad Hatter’s Review, online arts journal, Spring 2012
  • Bomblog, online version of Bomb Magazine, October 21, 2011
  • The Sixth Finch, online art and poetry journal 2011
  • The New Collectors book/website 2012
  • Boston Drawing Project: Bernard Toale Gallery, Boston, MA 2001-2008
  • Cover Artwork, Works by Junnosuke Yamamoto 2007

Current Teaching Affiliation

  • Purchase College – Visiting Assistant Professor, Department of Art and Design

Past Teaching Positions/Clark University

  • 2003-2006 Chair, Department of Visual and Performing Arts (Studio Art, Art History, Screen Studies, Theatre and Music)
  • 2001-2006 Associate Professor of Studio Art
  • 1998-2001 Assistant Professor of Studio Art/University Gallery Director/Curator
  • 1997-1998 Visiting Assistant Professor of Studio Art/Gallery Director/Curator